Category Archives: Arts, Culture & Entertainment

Forest dwellers turning jewellery designers

Lucknow :

Black and red `ghunchi’ seeds can turn into exquisite necklaces and danglers when beaded with sandal and other seeds. Bamboo similarly can be made into an eco-friendly strap for a wrist watch or a piece of jewellery for neck, ears and fingers. Women who have for ages depended on forest for their livelihood are turning designers in converting forest produce into attractively done jewellery pieces and souvenirs for home decor.

Training of the women folk is a part of the community development programme taken up by state government in forest areas under its eco-tourism policy. The programme aims at making forest dwellers self-dependent. Training has been completed at Dudhwa and, at present, is being conducted at Rampurwa village in Katarniaghat.

“Most of these people cut trees for firewood. I am making them learn other uses of forest produce,” said trainer Neera Sarmah.

Once eco-tourism starts at all the locations identified for it in the state, tourists may get to buy the products directly from locals. But providing market linkages to local communities so that they can fetch fair price for their products is also being worked out.

“A traditional `dalia’ (basket made of twigs) is what many may like to buy but do not know where to get the ethnic one. These forest dwellers have been making it for ages,” said director, Dudhwa tiger reserve, Sanjay Singh.

Programme is being conducted along with the UP Forest Corporation (UPFC) which is a nodal agency for eco-tourism in the state.

Sites like Katarniaghat on Gerua river in Bahraich, Chuka ghat in Pilibhit on Sharda dam, Chambal ravines in Agra, Nawabganj Bird Sanctuary in Unnao, Chandraprabha Rajdari water falls and Deodari water falls in Varanasi, Sarsainawar Sarus Sanctuary in Etawah, Sandi Bird Sanctuary in Hardoi, Noida Bird Sanctuary and Kalpi river cruise in Yamuna in Jalaun have been identified as eco-tourism spots.

Despite being announced two years ago, eco-tourism policy of UP government is yet to catch pace.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / by Neha Shukla, TNN / April 06th, 2015

Katheria pushes for Agra’s less known monuments

Agra :

Agra is a home to around 100 centrally protected monuments. Most tourists, however, visit only the Taj Mahal, Agra Fort and the nearby Fathehpur Sikri. Union minister of state in the Human Resources Ministry and Agra MP Ramshankar Katheria has now sought that the Centre take steps to promote Agra’s less popular tourist destinations, so that those arriving in the city are also encouraged to stay longer.

Among the lesser known monuments are the tomb of Mariam-uz-Jamani, Rajput princess who married Mughal emperor Akbar and mother of Jahangir. The structure in which the tomb was laid was built originally by Sikandar Lodi in the late 15th century; the tomb was laid in it by 1623, and a crypt was made below the central compartment by the Mughals, who substantially remodelled the structure.

The Roman Catholic cemetery in the Civil Lines area, considered among the oldest Christian cemeteries in north India, is also a little-visited spot of tourist interest. Many early European adventurers and travellers have been laid to rest here. Many of the gravestones date back to the 17th century.

Chini ka Rauza (chini refers to the colourful tiles; rauza is a funerary monument) is the tomb of Allama Afzal Khan Mullah, who served as prime minister in the court of Shah Jahan. It dates back to the year 1635. The building represents a milestone in Indo-Persian architecture, and is the first building in India to have the glazed tiles that give it its name.

Kanch Mahal at Sikandra, near Akbar’s tomb, was used, some historians say, as a hunting lodge by Jahangir. This monument too is not very well known to visitors to the city.

Just five km from the Taj is Ram Bagh, the oldest of Mughal gardens in India – laid by the founder of the dynasty, Babur. This garden too does not see as many visitors as it might, if it were better promoted.

Mehtab Bagh, an integral part of the gardens around the Taj, also sees few visitors. The Chhatri of Raja Jaswant Singh – which some claim is the only monument built by a Hindu in Agra in the time of Mughal rule – is also a neglected monument.

Katheria pointed out that the website of the Archaeological Survey of India (ASI) does not offer descriptions of the lesser known monuments. Information and photographs of these too should be uploaded, the minister said, in a letter to Union tourism minister Mahesh Sharma.

Sources said Katheria was raising this issue as Mahesh Sharma is set to visit Agra on April 8.

Rajiv Tiwari, president of the Federation of Travel Agencies, said, “Many less known monuments are dilapidated, many have become a den for anti-social activities. Travel agents cannot risk allowing guests to include them in their itinerary.”

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Agra / by Aditya Dev, TNN / April 04th, 2015

Raina ties the knot with UP girl

Evoking some cliched `maiden over’ puns, cricketer Suresh Raina got hitched to his childhood friend Priyanka Chaudhary at a hotel in the capital on Friday . The two had gotten engaged on April 1. The cricketer had earlier told us that it was a match fixed by his parents.

The private ceremony was attended by many from Team India and his IPL teammates, politicians and Bollywood celebs, apart from the cricketer’s friends from Lucknow. Indian team skipper Mahendra Singh Dhoni and wife Sakshi, International Cricket Council chairman N Srinivasan, Virender Sehwag, Raina’s CSK teammate, and his wife Aarti arrived at the venue to wish the newly-wed couple. West Indian cricketer Dwayne Bravo, another CSK teammate, and coach Stephen Fleming were also in attendance, along with Australian cricketer Michael Hussey , Mohit Sharma and Ishwar Pandey . India vice-captain Virat Kohli and girlfriend Anushka Sharma were also said to be on the guest list, but apparently gave the wedding a miss. The high profile wedding had Twitterati lapping up pictures posted by guests and the hashtag #RainaKiShaadi trended on the site till much after Friday night’s celebration.

From across the border, Shoaib Malik wished Raina and tweeted, “My heartiest congrats to my friend & fav batsman @ImRaina on joining the club! May u b happy forever sorry cudnt join.”

Reportedly , PM Narendra Modi, who was also invited, had sent a letter congratulating the cricketer.

Other notable attendees were wrestler Sushil Kumar, Anupam Kher, Shweta Tiwari, Irrfan Pathan, Shikhar Dhawan, Ishant Sharma, Umesh Yadav, politico Jyotiraditya Scindia and UP CM Akhilesh Yadav .

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / TNN / April 05th, 2015

Visionaries narrate success stories

Kanpur :

The Entrepreneurship Cell of IIT-Kanpur organised TEDx on Saturday. In this event, seven visionaries and performers from different fields narrated their stories before the audience both from IIT-Kanpur and the city.

The event started with a formal inauguration by IIT-K director Indranil Manna and Prof B V Phani. The first talk was given by Ad-man Abhijit Avasthi, followed by Amit Deshpal, a graduate from IIT-Madras in 2008 and joined the private equity arm of World Bank. Inspired by Tagore’s and Tolstoy’s thoughts on education, he quit his job a year later to start a learning space for children.

He spent nearly three years travelling around the country learning from different places and tried to understand meaning of education beyond formal schooling.

Talks were also delivered by renowned pantomime artist Padma Shri Niranjan Goswami and Anand Patwardhan, a critically acclaimed and socio-political documentary film-maker and activist. Other speakers were Irfan Alam, a social entrepreneur based in Patna working towards organising and empowering rickshaw-pullers through his organisation Sammaan, Aabid Surti, National Award winning author, artist and playwright-turned-environmentalist, Dipendra Manocha, founder of Saksham Trust that works towards developing communication devices for the visually impaired. The organisers of TEDx said that these talks may seed the notion of entrepreneurial zeal in individuals to think differently and act smartly. Many entrepreneurs and well-known people of the city attended the programme.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Kanpur / TNN / March 29th, 2015

Allahabad:New technique to consume less wood for cremation

Allahabad Municipal Corporation (AMC) plans to cut down the use of wood for the last rites for making the cremation ghats eco-friendly.
Allahabad Municipal Corporation (AMC) plans to cut down the use of wood for the last rites for making the cremation ghats eco-friendly.

Allahabad :

Allahabad Municipal Corporation (AMC) plans to cut down the use of wood for the last rites for making the cremation ghats eco-friendly.

For this, AMC has hired a New Delhi based agency. Giving details about the plan, environmental engineer, AMC, Sanjeev Pradhan, said, “We have made a plan for the modernization of the cremation ghats at Phaphamau, Daraganj and Rasoolabad. The new technique, developed by the agency, utilizes only 40 per cent of the woods used for performing last rites. The less consumption of the wood will also help in reducing the air pollution.”

He further added that for performing last rites, a platform will be constructed at the cremation ghats of Phaphamau, Daraganj and Rasoolabad. The bodies will be kept on these constructed platforms and then wood will be used in accordance with the technique.

A DPR (detailed project report) has been prepared and an estimate of about Rs 5.25 crore has also been made for the modernization of the cremation ghats. The modernization of cremation ghats has also received a shot in the arm as the State government has released an amount of Rs 1860.82 lakh for the development of cremation ghats in the entire state and AMC is also expected to be given some amount out of this fund.

The above amount is the first installment of the total amount of about Rs 3,721.65 lakh that has been sanctioned by the state government for the modernization of the cremation ghats.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Allahabad / by Ashraf Jamal, TNN / March 20th, 2015

Tunes unheard…

Sarod Maestro Pandit Rasik Behari Lal (October 12, 1929 – December 4, 1960)
Sarod Maestro Pandit Rasik Behari Lal (October 12, 1929 – December 4, 1960)

Pandit Mukesh Sharma talks to Anjana Rajan about the special music of his father sarod exponent, Pandit Rasik Behari Lal.

The absence of any chronological predictability shrouds the undeniable fact of our mortality in a haze of mystery. No matter the technical strides made by human beings, the tragedy of an untimely demise is no less today than, say, two centuries ago. The difference, though, is that now we have the means to keep recordings and photographs of those who leave this world. In the case of sarod maestro Mukesh Sharma, it is technology that helped him gain the benefit of the unique musicality of his father, Pandit Rasik Behari Lal, even though death took him away just months before the birth of his son.

Pandit Rasik Behari was employed at All India Radio, Lucknow, and was renowned for his brilliant playing. “His versatile and aesthetic perception of the sarod enabled him to touch most profound depths of this instrument,” says Sharma.

Along with soulful rendering of the raga, purity of style, imagination and a technique that blended the elements of the gayaki ang (a style approximating to vocal rendering) and layakari (instrumental rhythmic patterns), he pioneered a difficult technique of playing two octaves together, says Sharma, who is in possession of a number of concert recordings of his father. “During the 1940s and ’50s, he played in a manner no one else was playing,” he notes. “His recordings are still regularly broadcast over the radio.”

In the coming week, Sharma, a well travelled instrumentalist himself, is presenting a musical evening under the aegis of his organisation, the CommuneGlobus Art Foundation, in memory of his father. Named “Parampara”, the event features a duet by Shubhendra Rao (sitar) and Saskia Rao De Haas (cello) and a sarod recital by Pandit Brij Narayan. Tabla accompaniment will be by Shailendra Mishra and Gyan Singh. To be inaugurated by eminent vocalist Pandit Tejpal Singh, the event also includes an art exhibition by Bhaswati Boruah, Turaeva Shahlohon Tina, Renu Gupta and Mukesh Jwala.

Sharma himself will not be performing. Trained under his grandfather Pandit Ram Gopal, and later under Pandit Suprabhat Paul and Dr. Ramaballabh Mishra, he is best known as a disciple of Ustad Amjad Ali Khan, with whom he studied in the guru-shishya tradition for 12 years, as well as of Kathak maestro Birju Maharaj. As Sharma describes the atmosphere in which his father was nurtured, one gets a sense of the great artistic crucible that was the Lucknow of those days and of the weighty lineage he has inherited through history and his genes.

Pandit Rasik Behari, born on October 12, 1929, was the son of Pandit Ram Gopal, an eminent sitar exponent of Lucknow and a professor at the famous Bhatkhande Music College. A disciple of the great sarod maestro Ustad Sakhawat Hussain Khan Saheb of the Shahjahanpur gharana, Rasik Behari had his initial training under great maestros in varied fields. These included Pandit Ratan Jayankar, renowned vocalist, Pandit Sakha Ram the famous pakhawaj exponent and Pandit Shambhu Maharaj the great Kathak maestro.

“Great artists were living in Lucknow at that time,” recounts Sharma. “My father worked with Pandit Ravi Shankar ji who was a producer at AIR and Ustad Ali Akbar Khan Saheb who was a staff artist.” He adds that iconic violinist Pandit V.G. Jog, who was teaching at Bhatkhande, and Pandit Gajanan Rao Joshi from AIR were also part of his father’s circle, as were Pandit Birju Maharaj, then a young man receiving his training from his uncles, and the celebrated Begum Akhtar, ‘Malika-e-Ghazal’.

“There was also Pandit Dhruv Tara Joshi, who helped train Ustad Vilayat Khan sahib after the death of Ustad Enayat Khan when Vilayat Khan sahib was very young,” adds Sharma.

On December 4, 1960, sarod maestro Pandit Rasik Behari Lal succumbed to a heart attack at the age of 31.

(The programme takes place on March 31, LTG auditorium, Copernicus Marg, Mandi House, New Delhi, 6.30 p.m.)

Great artists were living in Lucknow at that time…my father worked with Pandit Ravi Shankar ji who was a producer
at AIR and Ustad Ali Akbar Khan Saheb who was a staff artist.

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review / by Anjana Rajan / March 27th, 2015

All women bus service in Lucknow

Lucknow :

After earning accolades for the introduction of the 1090 Women Powerline in the state, the UP Government seems to have its eyes set on making UP women-friendly . Come May and Lucknow, along with five other cities in the state, are going to see the introduction of an exclusive intra-city bus service for the fairer sex. Tentatively called Sakhi, the buses would ply on the city roads just like the regular ones, but would cater exclusively to the ladies.

“We are aware that women face a lot of hassles while commuting in the city . Keeping this in mind, we have decided to launch an intra-city bus service exclusively for women. In a month’s time, Lucknow, along with Varanasi, Allahabad, Kanpur, Meerut, Agra and Mathura would have their own bus service for the women. There are similar services running in many Indian cities including Mumbai, Bangalore, Chennai and other cities down South,” says Mukesh Meshram, Managing Director, Uttar Pradesh State Road Transport Corporation.

He adds, “The State Government has set up a Dedicated Urban Transportation Fund, which has a kitty of Rs 225 crore per annum. This money will be utilised for the procurement of new buses and improvement of infrastructure. The buses will be equipped with a vehicle tracking system, GPS and CCTV cameras. The conductor would also be a lady , but the driver, for the time being at least, would be a male. We were hoping to find female drivers, but we are yet to find them. The search is still on,” says Meshram.

The UPSRTC launched a similar service on February 27 called the Pink Express. However, that service is inter-city , with the all-ladies luxury bus, equipped with WiFi, CCTV cameras and GPS, plying between Lucknow and Ghaziabad.Initially started as a weekly service, the Pink Express is now set to operate daily between Lucknow and NCR from April 1.

`WON’T MIND USING PUBLIC TRANSPORT NOW’: Young female students of the city , who were till now wary of travelling in public transport in Lucknow, let alone buses, are all praises for the introduction of an allladies bus service in the city . Says Nandini Singh, a second-year English Literature student at Amity University , “I generally avoid using public transport in Lucknow. To commute to college too, I use a private van, or sometimes ask my father to drop me. Basically , I’m not very comfortable with the idea of travelling in public buses or auto rickshaws. But yes, with the introduction of such a service, I won’t mind travelling in it.”

For Hitisha Goel, a student of Lucknow University , public transport wasn’t even a choice, but she feels that the allwomen bus service initiative will have more women opening up to the idea of using public transport. “I would normally not use buses or autos, but with a service like this, obviously there is a sense of security that will come in. I won’t mind sitting in a bus like this now,” says Hitisha.

`FINALLY A SAFE ALTERNATIVE’: For city women, no mode of public transport is 100 percent secure. But a service catering to just the ladies would definitely change things to a large extent. “I live in a hostel, so I have no option but to use public transport. Till now, I was using auto rickshaws because they’re relatively safer than buses. Only twice have I travelled in a bus in the city . But whether I’m in an auto or a bus, I have to cover my face with a dupatta all the time. Men just stare at you or in worse cases, even grope. So a facility like this is a blessing in disguise. I will definitely skip the autos and use this,” says Vatsala Pushpender, a thirdyear dentistry student at BBD University .

“People think that travelling on a rickshaw is safer than travelling in a bus, but I’ve experienced eve-teasing on a cycle rickshaw too. So in those terms, this bus service will definitely solve the purpose.But I just hope that they maintain a certain standard of hygiene in the buses, something which is absent in public transport,” says Anupriya Agarwal, an entrepreneur in her twenties.

`NO HAGGLING WITH THE AUTOWALLAHS’:Anurita Sinha, a third year English Honours student at Lucknow University , feels that the service will not only be safe, but also easy on the pocket. “I normally commute using auto rickshaws. This all-women’s bus service is definitely a brilliant idea. Obviously they will be much safer and cheap too, which autos in the city aren’t. The autowallahs charge an arbitrary amount and don’t go by the meter. I don’t travel by bus just coz of the safety factor, even though it’s extremely cheap. This service will really ease things out,” says Anurita.

Sadaf Zaidi, a first year student at Lucknow University, is also thrilled that there’ll be finally some respite from the autos. “So to say, the autos are private, but the drivers stuff so many people in one auto. In buses, even though there are specific seats reserved for ladies, men sit there and refuse to budge. So this will be a great relief,” says Sadaf.

`HOPE THEY MAINTAIN THE FREQUENCY’: Apurva Tewari, an engineer in her twenties, hopes that the service will have a high frequency for it be feasible. “I remember a similar service starting in Lucknow a couple of years ago, but since the frequency was very less, it was stopped.But the buses were always full. I hope this time they initiate the service with a high frequency of buses which have a fixed timetable. It’ll really reinstate my faith in public transport in Lucknow,” says Apurva, who has to turn towards auto rickshaws when using public transport. She adds, “Autos turn out to be very expensive, so it’s going to be feasible on that front too.”

“I hope these buses will ply at night also. That way , the problem of us travelling alone at night will be solved. It will instil a sense of security among girls,” shares Garima Singh, a second year Arts student at IT College.

source:http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / by Saloni Tandon, TNN / March 30th, 2015

With right click, city photog clinches Rs 75L in Dubai

Lucknow :

A sudden splash of green amidst a riot of colours and perfect timing in taking the shot helped Lucknow Arts College passout Anurag Kumar bag a prestigious photography award that came with a cash prize of Rs 75 lakh.

“Holi celebrations at Nandgaon and Barsana (Uttar Pradesh) are attended by people from all over the world in large numbers and it is tough to get the perfect shot,” Kumar told TOI on telephone from Dubai, where he won the Hamdan Bin Mohammad Bin Rashid Al Maktoum International Photography Award (HIPA). “I had spent a lot of time at the scene, when suddenly a man threw greenish blue colour on the riotous crowd. That is when I got my shot,” added the 29-year-old on the making of the coveted picture. Officials at his alma mater from where he passed out in 2011 are set to honour Kumar for bringing fame to the college and the country.

A native of Chauri Chaura in Gorakhpur district, Kumar pursued graduation and post graduation from Lucknow Arts College and had photographed the Nandgaon Holi scene as part of his travel photography portfolio. In the fourth edition of the Dubai competition, 60,000 photographs from 166 countries had been submitted. The award constituted by the crown prince of Dubai has brought Kumar the opportunity to prepare his photography paraphernalia and portfolio much more professionally. “After the ceremony, winning photographs were put up on display. Many Indians living in Dubai came up and told me how proud they were of me. At that moment it became not just my prize, but India’s grand prize,” he said. Learning photography under Bhupesh Little, it was the appreciation he got that motivated him to keep clicking.

“It is a proud moment for all us. Our students have received national and international accolades, but this one in photography is huge and the biggest so far,” said Arts College principal P Rajiv Nayan, adding, “Once Anurag is back, we will honour him for the achievement and organise interactive sessions with him and the current batch of students.”

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Lucknow / by Yusra Husain, TNN / March 20th, 2015

In Their Shoes: Can Agra’s leather industry regain its lost glory?

A still from In Their Shoes
A still from In Their Shoes

In Their Shoes, Atul Sabharwal’s documentary on the leather industry of Agra, is making all the right noises. Atul reveals the idea which prompted him to go ahead with this documentary.

“I realised that my father was slowly nudging me out of the family business. The same was happening to my brother as well. My father is a man with a great foresight and he wasn’t happy with the current situation of the family business. He had this idea that it’s going to be a bad phase in future. When I assessed the entire situation, I came to the conclusion that there are certain issues which need the government’s attention,” says Sabharwal.

Sabharwal had already made a mega TV show Powder before directing the Arjun Kapoor-starrer Aurangzeb in 2013, but then he decided to trace his roots.

“See, Aurangzeb was the stepping stone in my career as a filmmaker. That happened and thus after it I decided to go with this documentary because it was also a quest to find answers to some personal questions.”

He further says, “I had some money saved from my fee as director from Aurangzeb. I invested that in ‘In Their Shoes’. I also did some writing assignments. The film was shot in 2013, so it kind of developed brick by brick. Also, the studio was very supportive. I made the film first. I got the first voices first and then later supported them with research during editing.”

There are hardly any filmmakers in Bollywood who go to documentaries after making a hardcore mainstream commercial film. Clearly, Sabharwal is not one of them. “The commerce of Hindi films is different, and making films just for the sake of making it was never my criteria. In my opinion, such constraints should never stop a filmmaker from doing a film of his or her choice.”

Agra is an integral part of In Their Shoes. Atul says, “Agra is very important in the film. Similarly, Mumbai was central in Powder and Delhi-NCR, in Aurangzeb. I was born and brought up in Agra, so it had to bear an impression on the film. There was a strong emotional connect as well.”

“Agra needs the government’s attention. Our shoe industry is getting killed due to the dumping of Chinese goods. It’s time to act to rebuild the age-old industry, especially when our honourable PM has announced the Make In India campaign,” adds Sabharwal.

(Interact with Rohit Vats at Twitter/@nawabjha)

source: http://www.hindustantimes.com / Hindustan Times / Home> Entertainment / by Rohit Vats, Hindustan Times, New Delhi / March 16th, 2015

From Lucknow boy to editor unplugged: Journey of Vinod Mehta

Veteran journalist and Outlook's editorial chairman Vinod Mehta died in New Delhi.
Veteran journalist and Outlook’s editorial chairman Vinod Mehta died in New Delhi.

I first met Vinod Mehta across the net of a table tennis table. We were at a TT coaching camp in Nainital; he was already the UP champ while I was a budding junior. I was the youngest in the group, and small for my age and so was subjected to bullying by a particularly nasty older and bigger boy. Vinod came to my rescue, and for the 15 days of the camp he became my protector, his weapon a sarcastic wit to which the bully boy had no answer. Was this a sign of Vinod’s later championing of the underdog?

We met years later in London purely by accident. The National Film Theatre was premiering Merchant Ivory’s Shakespearewallah. Somehow, in spite of the years, we recognised each other. When we came out of the theatre, we saw Ismail Merchant, James Ivory and the star of the film Felicity Kendal at the door. Vinod and I looked at each other. “We must talk to Felicity,” we said in unison. We looked at each other again. “You go first,” he said. “You go first,” I said. This table tennis like rally went on for a while with both of us indecisively stuck to our spot when a limousine came and whisked Felicity away.

I suppose that was the last time shyness held Vinod Mehta back. When I came back to Bombay in the early 70s he was already here. He had self published ‘Bombay, a Private View’, a rather presumptuous book considering he was a young man who had just come to the city, but it was a statement of intent. Vinod wanted to write; even more, he wanted to be in journalism, and perhaps the book was his passport into this desired territory. He soon met Susheel Somani, an industrialist who had shocked his conservative family by launching Debonair, India’s answer to Playboy.

It was a rather poor answer, but Vinod as editor transformed it. Its nudes continued to be terrible (Vinod probably gave only a fleeting moment to them), but Debonair became a magazine you wanted to read. The qualities that made Vinod Mehta such a very different editor from the usual mould were on display here: his lively irreverence, his unflinching honesty, his sharp wit and his penchant for the gossipy anecdote. He gave me my first column (which he called Dharker’s Dilemma) and I met him quite often but his real Bombay friends were Behram Contractor (Busybee to his countless admirers) and Mario Miranda (the cartoonist). They formed Bombay’s gossip troika, and one wonders how many reputations were good naturedly demolished every evening over a bottle of Old Monk.

Vinod was greatly influenced by British journalism and his oft-stated ambition was to start a Sunday paper like London’s Sunday Times or The Observer. Ashwin Shah of Jaico Publishers gave him that opportunity with The Sunday Observer and while Vinod ran it, it was probably the best Sunday paper in the country with often provocative articles and a letters page which became a Vinod Mehta trademark — opinions of every shade were allowed to be expressed, the more against the paper’s views the better.

What distinguished Vinod from his contemporaries was that he was no respecter of reputations, and politicians particularly were the objects of his mockery. That’s why when he moved to Delhi, he never developed a cosy relationship with ministers and politicians. His run-ins with proprietors was partly a result of this at-arms-length attitude. His falling out with Vijaypat Singhania at The Indian Post and LM Thapar’s Pioneer were spectacular in their suddenness, but he was stubborn in not following any diktats. In the battle that ensued someone had to go. Obviously that was the Editor.

If he stayed at the helm of Outlook for 17 years it was not because he had mellowed in his approach but because in Rajan Raheja he found a proprietor who supported him in full. In one of his books, Vinod tells the story he calls ‘Foster PM’, of how Ranjan Bhattacharya, with the help of NK Singh and Brajesh Mishra, seemed to bypass Prime Minister Vajpayee in awarding major contracts to dubious firms. The consequence of the detailed stories was an income tax raid with 700 officials (as reported by Hindustan Times) descending on the group’s offices in 12 cities. Outlook, fortunately, didn’t flinch and continued its anti-establishment ways with Arundhati Roy’s long diatribes (10,000 words plus) in sensitive issues like Kashmir, terrorism and Naxalites and gave full rein to the Radia tapes, all of these invariably treading on government and corporate toes.

In a sense, Vinod’s career encapsulates the uneasy relationship between the state and the media: we have on the surface an unbridled free press, but the sub text is, you can go this far, but no further. What Vinod Mehta showed is that if you are fearless, if you are ready with your resignation letter in your pocket (his phrase), you can keep pushing the boundaries one step at a time. You might offend a lot of people, hurt many interests, but in the end you will have bravely served the larger cause. Vinod Mehta continued doing this till the very end.

(Anil Dharker is an Indian columnist and author)

source: http://www.hindustantimes.com / Hindustan Times / Home> Cities / by Anil Dharker, Hindustan Times / March 08th, 2015